| Willard
House and Clock Museum
11 Willard Street
North Grafton, MA 01536-2011
estled in the rolling hills of Grafton is the birthplace
and original “clock manufactory” of America’s
premiere 19th century clockmaking family. Benjamin Willard
began making clocks here in his small workshop in 1766. Within
a few years, his three younger brothers; Simon, Ephraim,
and Aaron; would follow in his footsteps. In 1802, Simon
Willard obtained a patent for his Improved Timepiece, or
“banjo” clock. Today it is considered one of
the most significant 19th century American timepieces.
Directions:
Follow the Massachusetts Turnpike (I-90) west to Exit
11. Turn right onto Route 122 South. Follow Route 122 South
less than 2 miles to Route 30 East. Turn left onto Bridge
Street and go one block to the end. Turn left again onto
Route 30 East/Route 140 North. Go less then one mile to the
traffic light. Bear right, continuing on Route 30 East for
2.5 miles. At Tufts Veterinary Hospital, turn right onto
Willard Street. Follow Willard Street one half mile. The
museum is on the right. Signs for Willard Clock Museum are
located at each intersection along the way.
The Grafton MBTA train station (Worcester line) is located
on Route 30 less than one mile from the museum.
Phone:
508-839-3500
visit Website
send E-mail
Contact:
John Stephens
Hours:
Tuesday through Saturday, 10-4. Sunday, 1-4. Closed holidays
Admission:
Adults, $7. Seniors, $6. Children, $3.
illard
House interprets the life and work of the Willard clockmakers.
Simon Willard received patents for two of his experimental
clocks in 1802 and 1819. The Improved Timepiece, more commonly
known as the "banjo" clock, demonstrated his technological
genius. It was America's first eight-day wall clock, housed
in a Federal-style mahogany case with reverse painted glass
tablets. With his Alarm Timepiece, now known as a "lighthouse"
clock, Willard added an alarm mechanism housed in a cylindrical
mahogany case covered with a glass dome. Because of the popularity
of his clocks, numerous clockmakers in Boston, Roxbury, and
Concord copied his work during the early 19th century.
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